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Nonfiction Title:
Reading the Rabbit: Explorations in Warner Bros. Animation • nonfiction by
Kevin S. Sandler
Contents (view Concise Listing)
- 1 • Introduction: Loony Tunes and Merry Metonyms • essay by Kevin S. Sandler
- 29 • A Short Critical History of Warner Bros. Cartoons • essay by Barry Putterman
- 38 • From Disney to Warner Bros.: The Critical Shift • essay by Timothy R. White
- 49 • Charlie Thorson and the Temporary Disneyification of Warner Bros. Cartoons • essay by Gene Walz
- 67 • From Vaudeville to Hollywood, From Silence to Sound: Warner Bros. Cartoons of the Early Sound Era • essay by Hank Sartin
- 86 • The Image of the Hillbilly in Warner Bros. Cartoons of the Thirties • essay by Michael Frierson
- 101 • The View from Termite Terrace: Caricature and Parody in Warner Bros. Animation • essay by Donald Crafton
- 121 • Darker Shades of Animation: African-American Images in the Warner Bros. Cartoon • essay by Ben Fraser and Terry Lindvall
- 137 • "Ah Love! Zee Grand Illusion!": Pepé le Pew, Narcissism, and Cats in the Casbah • essay by Kirsten Moana Thompson
- 154 • Gendered Evasion: Bugs Bunny in Drag • essay by Kevin S. Sandler
- 172 • Selling Bugs Bunny: Warner Bros. and Character Merchandising in the Nineties • essay by Linda Simensky
- 193 • Fans vs. Time Warner: Who Owns Looney Tunes? • essay by Bill Mikulak
- 209 • Hybrid Cinema: The Mask, Masques, and Tex Avery • essay by Norman M. Klein
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